IRENE LUSZTIG is a filmmaker, visual artist, archival researcher, and amateur seamstress.
Her film and video work mines old images and technologies for new meanings in order to reframe, recuperate, and reanimate forgotten and neglected histories.
Often beginning with rigorous research in archives, her work brings historical materials into conversation with the present day, inviting viewers to explore historical spaces as a way to contemplate larger questions of politics, ideology, and the production of personal, collective, and national memories.
Much of her current work is centered on public feminism, language, and histories of women and women’s bodies, including her debut feature Reconstruction (2001) the feature length archival film essay The Motherhood Archives (2013) and the ongoing web-based Worry Box Project (2011).
Her work has been screened around the world, including at the Berlinale, Museum of Modern Art in New York City, Museum of Fine Arts Boston, Anthology Film Archives, Paciﬁc Film Archive, Flaherty NYC, IDFA Amsterdam, RIDM Montréal, Ambulante, and on television in the US, Europe, and Taiwan.
She has received grants from the Massachusetts Foundation for the Humanities, Massachusetts Cultural Council, LEF Foundation, New York State Council for the Arts, and Sustainable Arts Foundation and has been awarded fellowships at the MacDowell Colony, the Flaherty Film Seminar, the Radcliffe Institute for Advanced Study, and Harvard’s Film Study Center. She is the 2016-17 recipient of a Rydell Visual Arts Fellowship and a Fulbright Fellowship in Portugal. She teaches filmmaking at UC Santa Cruz where she is Associate Professor of Film and Digital Media.
During Lusztig’s visit, she visited a documentary film class at SVAD and presented on her work and the process of filming Yours In Sisterhood. Her film was concurrently screened at the Nickleodeon Theater.